De zangstem van de castraat heeft, naar de mening van zijn tijdgenoten, fraai geklonken of, afgaand op de kritiek van sommigen, bijzonder lelijk. Hoe deze stem geklonken heeft, zal altijd geheim blijven. De enige opname die er in 1904 van Alessandro Moreschi gemaakt is, een directeur-zanger van de Sixtijnse kapel, kan nauwelijks een afspiegeling zijn van de zo geroemde castratenkunst.Wanneer, waar en waarom is er gecastreerd? Wanneer is men ertoe gekomen, dat

Rian de Waal (1958-2011) has written a book about the piano, and how the development of piano playing has been very much dependent upon musicians who were able to cross borders. In 'Metamorphoses, the Art of the Virtuoso Piano Transcription', De Waal takes us on a journey through the capricious history of the piano transcription. At first revered by musicians and audience alike (and often the sole reason for the great fame of some pianists), the piano transcription later became despised and c...

Franz Schubert (1797–1828) and his oeuvre are surrounded by an atmosphere of tragedy. During his lifetime he struggled with childhood trauma, lack of recognition, and syphilis, and he became truly appreciated as a composer only long after his death. His initial fame came mainly from his songs, though he himself longed for recognition of his instrumental music. This new Schubert biography, drawing extensively on 19th-century sources and the latest scholarship, relates how lack of recognition...