Anime: A Critical Introduction maps the genres that have thrived within Japanese animation culture, and shows how a wide range of commentators have made sense of anime through discussions of its generic landscape. From the battling robots that define the mecha genre through to Studio Ghibli’s dominant genre-brand of plucky shojo (young girl) characters, this book charts the rise of anime as a globally significant category of animation. It further thinks through the differences between anime...

Waren stille films wel écht stil? Waarom kennen we zo weinig vrouwelijke filmmakers? En wat hebben video’s op YouTube en TikTok gemeen met de eigenzinnige filmmakers van de nouvelle vague in de jaren 1960?

Deze en vele andere vragen krijgen een uitgebreid antwoord in dit nieuw overzicht van de filmgeschiedenis. Het boek loodst je door meer dan 130 jaar geschiedenis, van de eerste magische ‘bewegende foto’s’ tot de laatste ontwikkelingen in digitale film en special effects. In dit ver...

FILMS MAKEN is hét boek voor zowel de ambitieuze amateur­cineast als de startende professional. Stap voor stap wordt uitgelegd hoe elke camera- positie, elke lamp en elke blik van een acteur je kan helpen om betere films te maken. Alle disciplines worden behandeld: camera, licht, geluid, regie, scenario, productie, opname- leiding, camera-acteren en montage. Naast de theorie helpen de vele praktijktips je op weg om zelf aan de slag te gaan.

Met zo’n 50.000 verkochte exemplaren is dit boek...

Dit deel in de serie Iranian Studies onderzoekt de filosofische onderbouwing en filmische technieken die kenmerkend zijn voor Iraanse film. Het laat zien hoe thema's als martelaarschap en oorlog, gender en sociaal beleid in Iraanse cinema worden benaderd, en hoe de regisseurs ze met behulp van een verscheidenheid aan technieken behandelen. Er wordt een overzicht gegeven van de poëtische en mystieke dimensies van Abbas Kiarostami's films. Daarnaast wordt beschreven wat de effecten van de Isla...

The impact of the embodied cognition thesis on the scientific study of film.The embodied cognition thesis claims that cognitive functions cannot be understood without making reference to the interactions between the brain, the body, and the environment. The meaning of abstract concepts is grounded in concrete experiences. This book is the first edited volume to explore the impact of the embodied cognition thesis on the scientific study of film. A team of scholars analyse the main aspects of f...

These 18 essays examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in diverse films and shows. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of ""reality"" in mockumentaries, and reality TV and documentary forms.

This is the definitive on producing and directing short films for the serious film student or beginning filmmaker. Its unique two-fold approach looks at filmmaking from the perspectives of both the producer and director, and clearly explains how their separate roles must work together to create a successful short film or video.

Leipzig, past president of National Geographic Films and a former senior executive at Disney, reveals insider secrets, step-by-step instructions, and timesaving shortcutsNeverything one needs to approach financiers, actors, agents, and distributors like a savvy professional.

The essay-with its emphasis on the provisional and explorative rather than on definitive statements-has evolved from its literary beginnings and is now found in all mediums, including film. Today, the essay film is, arguably, one of the most widely acclaimed and critically discussed forms of filmmaking around the world, with practitioners such as Chris Marker, Hito Steyerl, Errol Morris, Trinh T. Minh-ha, and Rithy Panh.

Characteristics of the essay film include the blending of fact and ficti...

This updated edition of a best-selling classic shows you how to structure your visuals as carefully as a writer structures a story or composers structure their music. The Visual Story teaches you how to design and control the structure of your production using the basic visual components of space, line, shape, tone, color, movement, and rhythm. You can use these components to effectively convey moods and emotions, create a visual style, and utilize the important relationship between the visua...